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Free virtual exhibition
Shezad Dawood works across disciplines to deconstruct systems of image, language, site and narrative. In this new exhibition Encroachments, Dawood takes a pragmatic and oblique look at the relations between Pakistan and the US since partition in 1947 through a Virtual Reality (VR) environment, contained within an installation comprising neon, wallpaper, sculpture and print. The narrative behind Encroachments is a meditation on ideas of sovereignty, private property and the politics of space in the two largest cities in Pakistan: Lahore & Karachi. The term 'encroachment' is used to designate the backlash in Pakistani politics and the media against so-called illegal structures built onto the fabric of existing private and state infrastructure. These ad-hoc encampments become social and commercial apparatuses for the lower classes, and reflect a grass-roots entrepreneurialism, and reclamation of space.
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