Augustas Serapinas: Physical Culture

About

Saturday 6 June - Sunday 6 September 2026
Nottingham Contemporary
Free

In summer 2026, Nottingham Contemporary is thrilled to present the first institutional solo exhibition in England by Lithuanian artist Augustas Serapinas featuring his large-scale sculptural installation, Physical Culture.

The first iteration of Physical Culture was created in 2012 while Serapinas was a third-year student at the Vilnius Academy of Arts' Sculpture Department. Since then, various versions of the installation have been exhibited internationally. Following Contemporary Art Centre, Vilnius's 2025 expansive edition of this work, we will present a new reconfiguration spanning across two Nottingham Contemporary's largest gallery spaces. The exhibition will invite audiences into a hybrid space of activity - performance space; drawing studio; and gym - featuring fully operational metal fitness machines with jesmonite sculptures replacing conventional weights. The work will be activated with a dynamic live programme punctuating the exhibition season; where local fitness groups will be invited to participate in exercise classes in the galleries; students from local universities will be invited to partake in life drawing classes; and community wellbeing groups will be invited to host mixed ability sessions and holistic workshops.

The installation is inspired by Serapinas' experience as a student at the National M. K. Čiurlionis School of Art in Vilnius, where art education follows a classical methodology emphasising the importance of life drawing and the mastery of painting and sculpture techniques. In this vein, the work looks at crossovers between the repetitive and diligent skills required to create classical forms in Western art history and the discipline required to sculpt the body in the gym. Revisiting the art school's archives, Serapinas has reconstructed copies of his own student work, such as portraits of his classmates, an earthworm, and an alien, as well as plaster models once used for drawing classes and replicas of well-known sculptures, such as Michelangelo's David (16th century) and Apollo Belvedere (2nd century), long considered exemplars of classical antiquity.